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Reading Analytically

10.2.4 Radical Noticing: Seeing What Is On the Page

When we were early readers, we were trained to encounter texts in a specific way: find the main idea, focus on large-scale comprehension, and ignore errors, digressions, or irrelevant information. As Jane Gallop discusses in her essay, “The Ethics of Reading: Close Encounters,” this is a useful skill but a problematic one.

Because we engage a text from a specific interpretive position (and because we’re not always aware of that position), we often project what we anticipate rather than actually reading. Instead of reading what is on the page, we read what we think should be.

Projection is efficient—one e-mail from Mom is probably like all the others, and one episode of The Simpsons will probably follow the same trajectory as every episode from the last twenty-odd years. But projection is also problematic and inhibits analysis. As Gallop puts it,

When the reader concentrates on the familiar, she is reassured that what she already knows is sufficient in relation to this new book. Focusing on the surprising, on the other hand, would mean giving up the comfort of the familiar, of the already known for the sake of learning, of encountering something new, something she didn’t already know.

In fact, this all has to do with learning. Learning is very difficult; it takes a lot of effort. It is of course much easier if once we learn something we can apply what we have learned again and again. It is much more difficult if every time we confront something new, we have to learn something new.

Reading what one expects to find means finding what one already knows. Learning, on the other hand, means coming to know something one did not know before. Projecting is the opposite of learning. As long as we project onto a text, we cannot learn from it, we can only find what we already know. Close reading is thus a technique to make us learn, to make us see what we don’t already know, rather than transforming the new into the old.

Analysis as “learning,” as Gallop explains, is a tool to help interrupt projection: by focusing on and trying to understand parts, we can redirect our attention to what the author is saying rather than what we think they should have said. In turn, we can develop a more complex, ethical, and informed understanding of a whole.

Perhaps the most important part of analysis is this attention to detail. If we assume that every word the author published is intentional (in order to avoid speculation about authorial intent), then we can question the meaning and impact of each word, each combination of words, each formal feature of the text. In turn, you should pay special attention to words or forms that surprise you or confuse you: the eye-catching and the ambiguous.


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Expression and Inquiry by Christopher Manning; Sally Pierce; and Melissa Lucken is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.

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